Dragon

Dragons (a name originally derived from the Greek word for "snake") are legendary, huge flying creatures, typically with a serpentine shape or otherwise reptilian traits, that feature in the mythology of many cultures, and are a common element of heraldry.

The European dragons, derived from various European folk traditions, are commonly perceived as aggressive and predatory, fond of eating humans in general and virgin human females in particular, and are often perceived as blowing fire out of their mouths.

In contrast, the legendary flying reptile known in Chinese as "long" – usually also called "dragon" in English – is perceived as an auspicious and benevolent power, used as the symbol of culture, power, strength, and good luck. Similar such dragons appear in other East Asian cultures.

In Western culture the image of Saint George slaying a dragon is very widespread, repeated in countless statues and paintings. In China, on the other hand, a recent Western TV commercial depicting a dragon-slaying was regarded as highly offensive and was banned forthwith by the government. 

In recent decades, the increasing popularity of fantasy has brought about an enormous expansion and variety in the depictions of dragons, especially after Tolkien gave to a dragon a major role in the plot of "The Hobbit". Modern Fantasy writers have come up with an enormous variety of dragons, ranging from stupid and aggressive beasts to noble, wise and benevolent beings - and every conceivable permutation in between. In Harry Turtledove's works dragons in general tend to the traditional European aggressive, fire-belching type.

Dragons in Darkness
Dragons were very large, flying reptilian predators, domesticated (impefectly) by human beings, mainly for military purposes. For the armed forces of various countries, maintaining a dragon corps for control of the air - was indispensable for the conduct of war.

Military use of dragons had already been well-known in previous wars, but it was systematized to an unprecedented degree by Algave's flying squadrons. The use of dragons, under such highly skilled commanders as Sabrino and in close conjunction with the ground forces, had a devastating effect and played a key role in the swift Algarvian successes in the first stages of the Derlavaian War.

In later stages of the war Kuusamo riposted with the invention of the Habakkuk dragon-carrier, eliminating the need for dragons to make long flights over the sea and making it possible to launch devastating attacks on Algave's shores from close to shore.

Dragons had two main modes of fighting: breathing fire, used by dragons when swooping down on ground troops or installations or in aerial battles with opposing dragons, and the dropping of explosive eggs from a height. Dragons were to some degree vulnerable to the fire of sticks, especially heavy ones; to deflect beams from enemy sticks, dragons' hides were coated with silver.

For dragons to breath fire, it was needed to feed them with Cinnabar - which made Cinnabar into a strategic material whose possession was critical in the conduct of war. Some major moves of Derlavaian War were dicated by such considrations, especially Algave's effort to capture Unkerlant's Cinnabar-rich Mamming Hills – which would have provided a plentiful supply of Cinnabar for  Algavian dragons while denying it to Unkelrlanter ones. Converesely, the fierce resistance by King Swemmel's troops at Sullingen was motivated by their determination to prevent that scenario.

Dragons were considered nasty and stupid animals, of which even their riders were not fond - unlike Leviathans with whom human riders developed deep emotional bonds. Individual dragons were usually not given a name, and a dragon rider did not greatly mourn a lost mount, as long as a suitable replacement was available.

Dragons were often vicious and aggressive, also and especially towards their own kind. While a trained dragon rider was usually able to keep his mount under control, a dragon rendered riderless was apt to rampage and might cause considerable damage to "its" own side. Causing deliberately such a situation was a recognized – though risky – tactic of dragon warfare.

Cleaning out the highly acid dragon excrement was among the most unpleasant duties with which an ordinary soldier might be saddled, and sergeants habitually used it as a form of punishment.

Dragons in After the Downfall
Dragons were highly dangerous, predatory flying reptilians, which mostly lived in the frozen north. Fortunately for the humans who lived in warmer countries, dragons only infrequently ventured southwards. On such ventures, dragons might cause vast damage. A single dragon may in a few hours devour the entire population of a village and then fly off to the next village.

Only rarely were humans able to drive off a dragon, and even more rarely were they able to kill one - such a feat requiring great courage and skill of the warriors, as well as a considerable amount luck.

One such case, of great historical importance, happened in the early hisotry of the Grenye nation of Bucovin. Centries before the Lenelli ever discovered and started colonizing the Grenye-inhabited continent, Grenye warriors managed to kill a marauding dragon, its bones being buried on the site which would become the city of Falticeni, the Bucovin capital. The Song of the Dragon Slayers, solemnly sung on special occasions, remained a source of pride to the Grenye in later generations when being pushed further and further back by the Lenelli invaders. And even they did not realize, until many generations later, how important were the dragon bones buried under the city.

Hasso Pemsel, when looking for innovative ways of waging warfare in the world to which the Ompahlos Stone transported him, considered the idea of somehow setting dragons on the opposing side - but was dissuaded and told that "it is dragons who hunt people, not the other way around". However, he eventually found that while it was beyond human power to use living dragons in war, the bones of a dead dragon had a major importance – they could block magic.

There were two ways in which this could happen. Dragon bones buried in the earth could radiate a kind of aura for a long distance around, interfering with the use of magic and making it undependable – which was a major factor in preventing the Lenelli from conquering Bucovin, as they had long since subdued the coastal Grenye nations. The Lenelli had long known of this characteristic of the soil of Bucovin, but had not connected it with the buried dragon bones.

Another way was to have a small fragment of dragon bone worn by a person or attached to an object, making the person or object completely immune to magic. This was accidentally discovered by the renegade Lenelli renegade Scanno, who found dragon bones in a forest and took one of them as an amulet around his neck – but being far from bright, he never connected this with his being later immune to magic and able to defy magicians with immunity.

It was Hasso Pemsel who realized the connection and conceived the idea of having Bucovin warriors, disguised as peasants, collect the dragon bones – which they did right under the noses of the Lenelli, whose contempt of the Grenye blinded them to the huge implications.

Cut into small pieces worn by all Bucovin warriors, the dragon bones did make the Bucovin army completely immune to magic – hitherto a major strategic weapon of which the Lenelli invaders had a monopoly - which had a major share in the overwhelming victory of the Bucovin Grenye.

Dragons in Black Tulip
See Dragon of Bulola

Dragons in Getting Real
When under the influence of the Real drug, Pablo Ramirez had the hallucination of fighting with a fire-breathing dragon, killing it with a magic sword, taking its valuable hoard and being rewarded by sex with a beautiful redhead. But though seeming very real, nothing of this happened in reality, which was that he was a drifter in a very run-down Los Angles.

Dragons in Curious Notions
When Paul Gomes first saw the electronics shop of Lucy Woo's father, he was surprised to notice the sign, displaying a Chinese dragon whose tail became an electric plug. Having had some contact with Chinese-Americans on the Home Tineline, Gomes knew that in traditional Chinese culture such a "disrespectful" depiction of a dragon would be unacceptable. The sign gave Gomes the idea that in the timeline where the US had been under German occupation for 150 years, Chinese-Americans had become very assimilated and lost much of their Chinese culture – which indeed proved the case when he got to know Lucy and her family, and found they did not even speak Chinese.

Dragons in Worldwar
See Akiss